Album Review || Chris Brown x Tyga 'Fan Of A Fan'

Chris Brown is one busy guy who manages to find time amongst his rocky relationship and court appearances to make a lot of hit music. After only releasing his own album a few months ago, Chris has teamed up with his friend and fellow controversial artist, Tyga, to make a 16 track album.
Chris and Tyga, who are touring together at the moment alongside Trey Songz, are releasing Fan Of A Fan today and, after collaborating on some club anthems many times before, there is a high expectation for this album.

The album cover already sets a precedent for a fun, fresh and colourful album with the sultry slow jams we expect from Chris and the catchy club anthems that made Tyga famous.
So opening track Westside does exactly what you would hope and sets the scene with a sexy, mid-tempo vibe where Tyga and Chris both rap.
This is followed by two, more commercial sounding, club songs including the hit single Ayo which follows the formulae of many other successful Chris and Tyga collaborations. It may sound very similar to many of their previous hits like Holla At Me and Loyal but it is a sound that works and hasn't grown old quite yet.

But, it is track number four, Girl You Loud, that has fast become my favourite even though it is one of the slower more understated songs on the album.
As the title suggests, its a very sexual slow jam with some high notes from Chris on the chorus and some provocative rapping from Tyga. This, along with the simplicity of the beat and catchy lyrics, makes it an album highlight for me.

There are also some great features on the album with 50 Cent jumping on I Bet, a potential single and an aggressive yet fun club anthem. Then Pusha T makes a brilliant appearance on another favourite of mine D.G.I.F.U. Tyga finally has his chance to shine on this track with an impressive flow and a sing-a-long hook over some innovative production, as well as Chris making a serious entrance as a rapper. This song will definitely grab your attention from the outset.

The fresh beats and catchy hooks are what stand out on this album which is brimming with five star club tracks which we are used to hearing from the duo but will never tire of. Tracks like Banjo and Bitches and Marijuana may not be lyrically complex or original but they are fun, exciting and memorable which sums up the music the pair are known for making.
There are equally as many moments of greatness in the slower and sexier songs like Lights Out and Wrong In The Right Way. 
In fact, there is only one song on the album that does nothing for me, which is Better, because it feels lacklustre and dull when amongst such strong production throughout the rest of the album.

I am really impressed with this album, which I almost didn't even listen to since I am not the biggest fan of Tyga's previous work and Chris fell short with his last album. However, I am glad I gave this album a chance as it has the perfect mix of Chris bedroom song hits and catchy Tyga-style uptempo music.
They compliment each other well, and I even enjoy Chris when he tries his hand at rapping, so this is an all around brilliant album from the both of them.

Standout track: I Bet and Banjo
Rating : 4/5

Album Review || Big Sean 'Dark Sky Paradise'

This month is turning out to be a very exciting one for fans of hip-hop as Big Sean becomes the third huge artist to release an album following Drake and Chris Brown x Tyga.
His album, Dark Sky Paradise, has been teased by girlfriend Ariana Grande and other album collaborators Jhene Aiko and Drake. It also features appearances from Kanye West, Chris Brown and Lil' Wayne (to name a few) and with the massive success of lead single I Don't Fuck With You there is a lot of hype surrounding this album.
Fans have been waiting with bated breath for what is expected to be one of the best rap albums of the year, but does it live up to the hype?
Here is my track by track album review...

  1. Dark Sky (Skyscrapers)

A solid opening track that sets the tone for the rest of the album with a strong and aggressive flow and autobiographical/personal lyrics.
The stormy sound effects that start this track are a hint as to what to expect from this album, as well as an ode to the album title. There is definitely something dark about the production of this song.

2. Blessings feat. Drake

This song leaked a while ago and was announced as the next single which I am very happy about because this is easily one of my favourite songs on the album.
There is still something a little dark that carries from the previous track but the beat is a little more mainstream friendly.
Drake fits himself into the song perfectly, maybe even taking some of the shine away from Big Sean with his lyrics.

3. All Your Fault (feat. Kanye West)

This immediately catches your attention with some innovative production that you would expect to hear Kanye West on so his opening verse is no surprise. His lyricism is impressive with an ability to reference Chris and Karreuche and police brutality in the space of 30 seconds.

The chorus is catchy and fun and bound to be stuck in my head for the next few days.

But my favourite part is the final few seconds when Sean and 'Ye bounce off each other in a closing verse which is a concept in rap that we don't hear very often these days and needs to catch on.

4. I Don't Fuck With You (feat. E-40)

This lead single has already achieved huge success and has become a break up anthem for the next year.

The song is fun and everyone can relate to the sentiment at some point in their life whether it is towards an ex or just someone you don't like. The phrase I Don' Fuck With You is a phrase that Sean can market for the rest of his life so for that alone I applaud this song.
Yes, it is disrespectful and offensive but that is what makes it a guilty pleasure.

5. Play No Games (feat. Chris Brown & Ty Dolla $ign)

Five songs in and Play No Games offers a less aggressive and relaxed tone with a slightly more R'n'B tempo. I really enjoy the production and there are some enjoyable moments from Big Sean in his verses but I was a little disappointed with Chris and Ty Dolla $igns appearances.

The chorus, delivered by Chris, fell a little short and Ty should have been utilised a lot more than the 10 second sound-bite he had.

6. Paradise (Extended)

This is by far my favourite song on the album! The Mike.Will.Made.It beat is superb and coupled with Big Sean's intense flow this feels like a rap battle with himself.

There is a rawness in the verses and chorus that makes this song compelling and stand-out even amongst some other great songs.

It will definitely be on repeat for a couple of weeks and is now joining my gym playlist.

7. Win Some, Lose Some (feat. Jhene Aiko)

This slow tempo track offers a nice change of pace to the album and offers a slightly a more vulnerable look into Sean's world.

It's a nice song but it doesn't have me jumping up and down with excitement aside from the fact that Jhene Aiko makes an appearance. However, I wish she had sung the chorus solo and maybe even had her own verse because her soothing vocals over this relaxed beat would be a powerful juxtaposition against the previous song.

Having said that, I love the honesty in his lyrics about his relationship with Naya Rivera and I love the closing lines delivered by his father.

8. Stay Down

Unfortunately, there is something missing on this song making it the first track that I might skip whenever I play this album. Big Sean started out strong with his first six tracks and seems to have started slipping into mediocrity.

Stay Down is instantly forgettable, which you don't need at the mid point of the album, and that's mainly due to the chorus which is lyrically disappointing and lacklustre and the beat is stunted. It felt like it should have been a more uptempo, club friendly song.

9. I Know (feat. Jhene Aiko)

DJ Mustard always gets it right and this beat is no different. The bass is pleasing to the ear and exciting and builds up into a great mid tempo club track. 

I can imagine myself learning the lyrics to this song and belting it out in the car on a summers day.

I love Jhene's feisty verse, the added element of a female perspective and vocal fits well at this point on the album which has, thus far, been dominated by men. But it didn't need to be over five minutes long. It could have ended around the four minute mark although I do have a soft spot for outros that runs smoothly into the next song.

10. Deep (feat. Lil Wayne)

Ta-da! That is how you smoothly lead from one song into the next without them sounding exactly the same.

I appreaciate the ominous sound that we heard in the first few tracks of the album making its way back into the music and it really compliments Lil Wayne's style.

The production, acoustic piano section, bass...everything about this song is really well-executed.

11. One Man Can Change The World (feat. Kanye West & John Legend)

A very simple, stripped back song with just a piano and a little singing from Big Sean but, for the first time on the album, his vocals aren't completely cringe-worthy.
This sounds like a new-era Kanye production which isn't exactly my cup of tea but I can appreciate the sentiment and emotion behind the song.

John Legend brings the song from sub-par to above average but he should have sung every chorus because 'Ye and Sean are no vocalists compared to him.

12. Outro

Another change of pace to close out the album and a fitting ending it is. It feels like the paradise after the dark sky perhaps.

I enjoy this fun, summer time vibe that concludes a somewhat dark and deep album; it may have been nice to hear a couple of more tracks like this leading us towards this finale.

There is a throwback element to it which is calling out for a remix with Jay, Nas and some other OG's but, even without one, this song stands strong as it is.

Bonus Tracks

13. Deserve It (feat. PARTYNEXTDOOR)

I am not a big fan of PARTYNEXTDOOR as his sound is repetitive and annoying and he never seems to add much to a song when he features.

Maybe this is what makes this song a little forgettable and unnecessary. 

14. Research (feat. Ariana Grande)

I am glad, and pleasantly surprised, that the Ariana Grande feature isn't the soppy love song I was expecting.

Though it is a slightly more commercial and radio-friendly sound that would have felt really out of place on the album, it it is still a mildly enjoyable song mainly because of Sean's lyrics and his delivery.

15. Platinum and Wood

I instantly liked this song and felt like it should have been squeezed onto the album and not downgraded to a bonus track. The change in beat half way through gives the song a fun boost that stops it from becoming dull and tired.

Platinum and Wood is easily one of the more understated tracks that is over before it really has a chance to start.

I cannot tell you how much I enjoy this album and believe it is Sean's best piece of work to date.
This album definitely has an on-going theme that ties in with the album title, it is quite dark at times yet there are elements of light (paradise) that break through the dark sky.

He is open and honest about romantic and family relationships as well as his status in the rap industry. He is experimental with his sound without straying too far from the Big Sean image we have come to know and love.
The lyricism and flow that Big Sean presents on this album is surprisingly brilliant and superior to many rappers who have had more success. He separates himself from the newbies and up and comers by playing around with a flow and delivery only he could pull off so confidently. 

For me, this album is finally showing Big Sean at his best. He has set a very high bar for other rappers with this album and I am really impressed. Big Sean has always been on my radar and as potentially iconic rapper and he has always released great, fun music and kept strong relationships with some of the most important rappers of this generation. All this has led up to a great album and possibly the best of the year depending on what Drake, Kendrick and others bring to the table.

Stand-out track : Paradise by far

Rating : 4.5/5

Album Review || Drake 'If You're Reading This It's Too Late'

In a very Beyonce manner, last week Drake decided to drop a surprise album/mixtape on the world with zero promotion, zero release date and no warning of any kind. All he had to do was post the cover for If You're Reading This It's Too Late on his Instagram and wait for the world to catch on. This came completely out of nowhere because we weren't expecting any new music till later on in the year with his fourth album Views From The Six (this still might happen btw).

I love when artists take this kind of risk because it means I am going to listen to it with no expectations and I can allow the music to speak for itself so that it was I have done for the past few days.

If You're Reading This It's Too Late opens with a very bold statement which continues throughout the mixtape as an ongoing theme. Drake makes it clear that he knows he is one of the best rappers/artists of this generation and he has garnered so much success that he believes he has what it takes to be a legend.
The confidence, borderline cockiness, displayed in the opening track Legend is felt on the majority of the mixtape and can sometimes feel overplayed and irritating.
By the time I had reached track 6 I was beginning to ask myself 'where is the sensitive, humble rapper with his occasional singing', I missed him.
His success is built on the image of 'emotional rapper' and although he may find the meme's and comments tiring, he cannot deny that it has been much of the reason for his fame and fortune. It was original, exciting, refreshing and often relatable.
This mixtape only seems to suggest that Drake wants to try something new and it just doesn't always work for him.

The production on the album is sub-par with only Madonna and No Tellin' offering some originality and a familiar Drak-esque sound. The rest of the tracks feel lazy and the beats are all pretty much mid-tempo underground sounds with little instrumental value.
Unfortunately the features don't add anything to this mixtape either especially PARTYNEXTDOOR who's trying way too hard to jump on the autotune fad that only T-Pain can get away with.
Even Lil' Wayne's appearance on Used To is disappointing which is a first for the two who normally bounce off each other with ease.

Don't get me wrong, there are some welcoming moments of humour and vulnerability that we expect from Drake particularly on You & The 6 where he pays tribute to his city and his mother for making him the man he is today. However, these moments are few and far between and they are laced with so much boasting and lacklustre lyricism that they can sometimes get lost.
The stand-out track, in my opinion, is 10 Bands with its heavy bass, strong beat and catchy chorus that could surely be club worthy with a bit of a remix.
6 God, a track which leaked weeks ago, comes a close second for favourite on the mixtape because of the aggression in Drake's verses. It brings an energy that hasn't shown its face on the rest of the mixtape.

Aside from those two tracks, there is nothing on this able that excites me or gets me hyped for Drake's promised fourth album later this year. My fingers are crossed in the hopes that this mixtape was just an experimental means of creativity in order to bridge a gap in the long silence between the last Drake album the one yet to be released.
If that is the case then all hope is not lost, in fact, that may mean the album could be even better since he has released all of his aggression and smugness.
Even so, I am still and will forever be a massive fan of both Drake as an artist and a person - one mediocre mixtape is not enough to tarnish the long list of brilliant music he has created.

Rating : 2/5 (and only because he has some great lyrics and I am judging this on a mixtape standard)

Album Review | J. Cole '2014 Forest Hills Drive'

I may be a little late with this one as J. Cole released his kind of unexpected album a little over a week ago but I only just got around to listening to it after hearing rave reviews.
As always J. Cole is reflective, honest and poignant in his discussion of everything from losing his virginity to role models in the industry to appreciating your life. J is really on top form with this album which strays away from commercial success as there are no songs which jump out to be as being 'for the radio' like his biggest hit Work Out. 
This album is obviously less about making money and scoring a number one, and more about allowing J to open up about current issues and things he wants to get off his chest.
He is unapologetic in his opinion on the appropriation of black culture in Fire Squad and vulnerable in the moments where he discusses family matters and his role as a step-father on songs like Apparently and Hello. But, above everything, he is proving himself to be a real contender in the battle for the hip hop crown.

Album Highlight: Apparently and G.O.M.D.
Rating : 4/5

Album Review | Nicki Minaj 'The Pinkprint' (Deluxe Version)

Nicki has been teasing us with this hotly anticipated third album for months after pushing the date back and leaking a couple of tracks.

But now The Pinkprint is finally here and it seems to be worth the wait with an extensive 22 song tracklist and collaborations with the likes of Ariana Grande, Meek Mill and the Queen herself, Beyonce.

Here is my track-by-track review of the album which is released on Monday 15th December...

1. All Things Go

As opening tracks go, this one is quite strong even though it is a slow burner. Nicki is very reflective and honest on this song as she raps about her family and herself, including the fact that she was pregnant sixteen years ago and that she wants to have another child in the next three years.
It is always welcoming to hear the softer side of Nicki and All Things Go is a well executed attempt at that.

2. I Lied

This is a definite favourite of mine and took that spot from the very first listen. Once again, it is a slow track and explores Nicki's vulnerability as she admits that she fears letting herself be honest and fall in love with a guy because he might hurt her. It is a sentiment all women can relate to at one point or another.
This song is also the first time we hear Nicki's vocals so clearly and they sound really strong and emotional, particularly the chorus as there is something haunting about the way Nicki sings 'I lied'.

3. The Crying Game feat. Jessie Ware

The Crying Game is quite a different sound for Nicki and brings us an unexpected collaboration with Jessie Ware whose vocals are stunning on this track. Although this song doesn't immediately jump out at you, on my third listen I realised just how good of a song it really is - not a standout track but still one of the better ones.
The production, particularly on the verses, is pleasant to the ear and I would have preferred this as a single over Bed Of Lies.

4. Get On Your Knees feat. Ariana Grande

You already know what to expect from the title of the song. A very sexy and lyrically explicit song, which is always hard to buy into when coming from Ariana Grande, but not overtly sexual compared to some of Nicki's previous songs.
This track is a guilty pleasure of mine as there is something quite fun and catchy about it especially when it gets to the chorus. This song would work well as a single but maybe it is too risqué for radio.

5. Feeling Myself feat. Beyonce

I had very high expectations for this song, as does everyone else probably, because it is a Nicki and Beyonce collaboration - two of the best females at what they do.
Nicki's lyrics and flow are strong on this song in terms of being playful (for example, her closing line) and the production is quite genius. It is the first time on the album that we hear a Nicki we can instantly recognise, with her voices and multi-layered persona. Beyonce adds a certain presence and brings attitude to the song that couldn't have been matched by anyone else.
I wouldn't say this song was a let-down, because if I hadn't known about it before listening to the album I would be pleased with the outcome, but I expected something with a bit more of a lasting impact.

6. Only feat. Drake, Chris Brown and Lil Wayne

The current single that I am sure you have already heard by now - check out the video which I posted earlier this week. I am a fan of this song and if I hadn't heard it before the album dropped then it would have immediately stood out as an album highlight. It is Nicki's strongest song lyrically and with all that star power on one track it was bound to be a hit.

In the context of the album, Only really keeps the momentum of the first five songs going yet starts to tease a heavier hip-hop sound that we haven't heard so far.

7. Want Some More

If the title of this song is a question, then the answer is 'no, thank you'.
I thought I was really going to like this song based on the first 40 seconds but then, just as quickly, it began to irritate me. Nicki's flow is supposed to be playful but it irks me on this song and the chorus is just as annoying. It is disappointing because this song had potential to be the start of the hip-hop sound that Nicki had promised fans on this album.

8. Four Door Aventador

The beat and production, particularly on the chorus, reminds me so much of late 90's/early 00's female rap like Lil' Kim and Missy Elliot. It is one of the more understated songs and seems to be over before it has really started but it is enjoyable.
It also delivers hints of mixtape Nicki, which is always a very good thing, and I wish there was more music like this on the album.

9. Favorite feat. Jeremih

Unfortunately, as much as I tried to like this song, there was something not quite right with it and I'm not sure whether it is the lacklustre production or Jeremih. Don't get me wrong, he is a great artist but he misses the mark on this song and makes little impact leaving me thinking it may have been better suited for Trey or August.

Nicki delivers everything she should on the verses even with a dull and underproduced beat underneath her. But, if this song was hoping to be the next Right By My Side then it has failed miserably.

10. Buy A Heart feat. Meek Mill

I actually really enjoy this song as it delivers on every aspect - the beat is good as is the production and Meek's opening verse. 

The song has three different layers to it as the melody changes from the opening to the mid-section to the very final few seconds and it pulls that off well without sounding all over the place (unlike Want Some More). It isn't strong enough to be a single and gets lost amongst some of the bigger, more impactful songs but it is a subtle gem.

11.Trini Dem Girls feat. Lunchmoney Lewis

I expected this to be Nicki's mandatory dancehall-inspired track, which are usually high energy, catchy, standout songs on her album. Unfortunately, this song doesn't quite stick with me. The chorus gives the song potential but that gets ruined on the watered down verses and hook that make this sound way too pop. I wish there had been an authentic Caribbean sound and Nicki had thrown in her Trini accent for good measure.

12. Anaconda

I have never been a fan of this song and, wedged right in the middle of this album, it doesn't belong at all. I was hoping this was just a bit of fun and Nicki would keep it off the album or just throw it on as a bonus track but it takes centre stage where it falls completely flat and feels totally out of place.

I can see the humour and it would probably be a dance floor filler at a club filled with drunk people but, as a serious rapper and artist, Nicki can surely see why this is more suited on previous albums.

13. The Night Is Still Young

This is by far my least favourite song on the album and possibly my least favourite Nicki song ever. This is the commercial, cheesy pop music that I thought Nicki was steering clear of on this album and  yet it makes an unwelcome appearance.
There is nothing redeeming about this track which sounds like a Katy Perry reject song.

14. Pills and Potions

Although this single didn't do so well commercially, and seemed to disappoint critics and some fans, I enjoyed this song and still do.

As I said earlier, it is always nice to hear the softer side of Ms. Minaj and even if the chorus leaves much to be desired lyrically, you can't deny that it is catchy and you'll probably have it playing in the aftermath of a break-up.

15. Bed of Lies feat. Skylar Grey

I was so disappointed in this as a single with its sub-par, metaphorical chorus and boring piano melody. I lose interest in a matter of seconds and maybe that is partially to do with the fact that I am not much of a Skylar Grey fan either. 

16. Grand Piano

The first and only track where Nicki solely sings, which may not go down well with hardcore hip-hop fans, but I like the sentiment behind the song. The orchestral elements are stunning but I can't help but imagine how perfect the song would have sounded with a vocalist like Ariana Grande or Beyonce.
It isn't that Nicki can't sing but when handed a ballad such as this maybe she should stick to what she does best.

17. Big Daddy feat. Meek Mill

I am still unsure with this song because up until I played it in the car last night, I really didn't like it. This may mean that it is best listened to on loud speakers at full volume.
Nicki is back to her feisty rap alter ego and delivers confident verses with Meek executing a standard catchy hook that is borderline annoying.
There is nothing that stands out about this song apart from the beat which may have worked better with an artist like French or Rick Ross as I feel like a second appearance from Meek wasn't all the way necessary.

18. Shanghai

I am not a huge fan of the production for this song, which we have Yung Berg to thank for, because it is trying too hard to be innovative and exciting but it didn't hit the spot for me. Having said that, I like everything else about the song especially Nicki's flow and diction but it doesn't have the same effect that it would have with a stronger beat.

19. Win Again

Another boring, irrelevant song that is underproduced and delivers a repetitive and irritating chorus and not much else. This song is instantly forgettable.

20. Mona Lisa

The first and only song on the album that successfully brings us something different. Nicki experiments on Mona Lisa with a slightly trippy sound, which I enjoy hearing in hip-hop music. I could have done with a little less production on the vocals and it may have been interesting to have a melody change towards the end; however, it is still an interesting song.

21. Put You In A Room

I love the lyrics in this song, it makes a nice change from Nicki's usual provocative and playful verses. Although it is never made clear whether Nicki is addressing a person or a mental struggle, it still hits quite hard. It does get a little stale as the song goes on which makes it understandable as to why it's one of the shorter tracks on the album.

22. Truffle Butter feat. Drake and Lil Wayne

This is by far my favourite song on the album so its unfortunate that it comes as a bonus track and the last one at that.
It samples a 2010 house anthem by Maya Jane Cole which is the highlight of the song. It also showcases Nicki, Drake and Lil Wayne at their best - all starting their verse with 'thinking out loud' implying that a freestyle follows, and if so, then that is where they work well together.
This would make a great single and an even better club song.

So my overall opinion of the album isn't so great after all the hype Nicki has put around it. She promised she would go back to her mixtape sound that we all fell in love with and teased that with tracks like Lookin' Ass N***a and Boss Ass Bitch (Remix) but this album does not fulfil that promise.
Although Nicki plays around with voices and accents far less, which is a massive improvement, she replaces them with reflective ballads and boring melodies.
I am disappointed that on a 22 track album there are only ten tracks I like and only four of those that I love. There are some great collaborations and potential singles and Nicki as a rapper, particularly lyrically, is amazing but I was expecting a lot more from this album.
Rating: 2/5

Album Review | Teyana Taylor : VII

Many would say Teyana Taylor is underrated in the music industry because, although the girl is talented and hard-working, she has never quite reached her potential. The music has never been that great and she seems more dedicated to other artistic avenues and media drama than her singles.

However, her debut album VII may just silence any haters or doubters and finally prove that fans have a point when they call her the underdog.

I wasn't expecting much, if anything, from the album but I was pleasantly surprised to discover a smooth and genuine R'n'B album that may just be my favourite of the year.

1. Outta My League (Interlude)

I am kind of annoyed this is just an interlude and not the opening song because it sounds so different from everything else on the album and would have really stood out as a full-length song.

Teyana is making a statement about what is to come for the next eleven tracks, and it promises to be some real heavy R'n'B.

2. Just Different

This song grew on me over time and it now stands strong as the opening track. It reminds me of a smoke-filled bar with dimmed lights and a sultry R'n'B singer on the stage which is not a bad thing at all. The production is beautiful and really does transport you to another place and another time.

3. Request

Teyana continues the authentic, old school R'n'B sound with this sexy slow jam. This really takes me back to the early noughties in terms of simple yet effective production and soothing vocals to create a pleasant, laid-back bedroom song.

4. Do Not Disturb feat. Chris Brown

No surprises here that Chris Brown is featured on the album as a long-time friend and fan of the songstress. This track is yet another slow jam but there is a bit more tempo and production which prevents the sultry sound established thus far from becoming overused or tired.

Chris sounds great on his verse and this would make for a great single and video.

5. Broken-Hearted Girl feat. Fabolous

This may just be one of my favourites on the album thanks to Fabs strong verse and the catchy hook; it is a track that gets stuck in your head well after hearing it.
There is an element of vulnerability in Teyana's vocals which is rather endearing and easy for many girls to relate to.

6. It Could Just Be Love (Interlude)

Another brief interlude which seems to act as a break in the album separating the previous five songs from what is to follow. 

It is unfortunate that this song is only an interlude because it has potential to be a strong full length song; however, the musicality is carried out so well on the song that it works as an interlude too.

7. Put Your Love On

Teyana tries her hand at some reggae with this stunning mid-tempo track, and she pulls it off well. Unfortunately, the song is over in less than three minutes which is very disappointing because it would have been the strongest song on the album but it doesn't quite reach its full potential in the short track time it has.

8. Maybe feat. Pusha T and Yo Gotti

Another firm favourite on the album for me which confirms a marked change in pace on the album as this showcases the side of Teyana we are more accustomed too. There is the soft R'n'B vocals paired with a strong hip-hop beat and rap verses from Yo Gotti and label-mate Pusha T.
I love the haunting vocals on the verse juxtaposed with the thuggish attack on the hook and chorus. It is easy to see why this was chosen as the first single.

9. Dreams

This song leaked a little while back and gave me high hopes for the album and I am glad that it remained a part of the final product because it fits in well.

Dreams references a French Montana song throughout in a humorous and amusing way creating an all-round fun and flirty track. It may not stand out amongst other songs but it delves into another side of Teyana that shouldn't be misconstrued as cockiness.

10. Sorry

I adore the acoustic piano that opens this track and the melody throughout this song remains understated yet powerful and emotive. This is a stunning ballad which truly showcases Teyana's talent as a writer and vocalist in a very subtle way.

11. Business

Business may be my least favourite song on the album but that is only because it is competing with some of the best R'n'B music I have heard in a while.
The song is forgettable and doesn't hit as heavy as her previous slow jams which I feel is down to the lazy beat. There are promising moments such as the three seconds of acapella and the short-lived rap but, all in all, the song falls short on such a strong album.

12. In The Air

The only flaw with this song is that it is far too short, much like Put Your Love On, and misses its chance of being a favourite.

Aside from that, In The Air is another R'n'B moment for T with a catchy hook and chorus, solid production and sultry vocals. This is the album closer on the non-deluxe version and I completely understand why it has that position because it finishes off the album in an assured way.

13. Outta My League

I was so happy to see that the opening interlude is a full track on the deluxe version because it is such a mesmerising song. It reminds me so much of early Alicia Keys, vocally, lyrically and production-wise, and who doesn't love some 2000 Alicia.

The subject matter is almost unheard, a girl declaring that the guy who loves her is out of her league and questioning why he is even with her, something I am sure most girls can relate to at some point.

14. It Could Just Be Love

Once again, another beloved interlude has been made into a full song and I couldn't be happier - other artists should take a note out of Teyana's book.
As with every other song on the album, Teyana sounds great and the song is ridiculously catchy and sexy.

Teyana has truly outdone any expectations and every other R'n'B album this year because this album is near flawless. There are no filler songs or tracks that could be considered 'skippable' because it seems as though T has put a lot of time and effort into every minute of this album.
This deserves a lot more success than I fear it may receive because as far as R'n'B music in this day and ages goes, no one has delivered anything as endearing, authentic or exciting as VII.
Rating : 5/5

Album Review | Danity Kane : DK3

After a reality show, two hit albums, a very public break-up, a reconciliation with four of the five members, one member bowing out and then another complete split, this is the finale to the Danity Kane story. They had so much potential and were at the top back in 2008 and the second time around was looking to be just as successful; however, these girls just don't seem to be meant for each other. They are all sassy and opinionated which translates in their music but, unfortunately, doesn't go down well outside of the studio.

DK3 is the girls goodbye and with such a major weight on this album, it had better be a good one.

Rhythm of Love

The album doesn't get off to the best of starts with quite a weak opening track that leaves little to be desired. It is too dance/pop for my liking and seems to alienate a lot of the original Danity Kane fans.

Lemonade feat. Tyga

I was instantly a fan of this song and I am glad that it was the lead single although it, unfortunately, never got a real release or a music video. It is a great R'n'B club track that shows the progression these ladies have made since their break up back in 2009. The lyrics are full of the attitude that got these girls where they are today and the chorus is ridiculously catchy.

All In A Day's Work

All In A Day's Work is the ultimate girl power anthem and could have easily been the follow-up single. I think this is a strong R'n'B song; however, fans have pointed out that the version with Aundrea as lead vocalist was a lot stronger. Having said that, this isn't necessarily a vocal heavy song so that doesn't take anything away from the song.

Rage

This sounds very much like an unreleased Katy Perry song and not a Danity Kane track at all. There is no sass and the R'n'B sound that these girls are known for is completely missing. The lyrics are unoriginal and weak and the chorus is persistent and annoying. This is definitely my least favourite track on the album.

Tell Me

This song brings me back to the original five piece Danity Kane which is never a bad thing. Tell Me is a really sexy mid-tempo song that could have also been another hit single.
I think the production is in perfect keeping with the lyrics and the girls deliver their infamous sultry vocals with power. This may be my favourite song on the album.

Two Sides

I feel like this ballad is missing something and I can't quite put my finger on it but it does sound very unfinished. I enjoyed the lead in of Tell Me into Two Sides but I was waiting for the song to go somewhere and it never did.
The vocals are nice but nothing ground-breaking, the lyrics are weak and the production is basic at best. If the girls were aiming for a laid-back acoustic feel then it didn't hit the mark this time. With a piano or some stronger production this could have been a really powerful ballad.

Secret Lover

I am still unsure about this song and it might end up growing on me with a few more listening sessions. I like the harmonies and individual vocals but I feel like this song had the potential to be something more.

Roulette

Yet again, the girls are missing something to make the track that much better and more powerful. The verses are great in terms of production and melody but then it loses itself on the hooks and chorus and becomes a mediocre pop song. This probably should have just been a bonus track or a b-side and not an album track.

Pieces

Finally the girls have a ballad that almost lives up to the greatness of some of the love songs on their previous albums. The harmonies are stunning and the vocals are almost perfect and it only saddens me that there were not enough slower tracks like this on the album.

Bye Baby

Another early leak that has been updated since the departure of Aundrea and I think I like this version a bit better.
A fun and throwback-ish R'n'B song with originality, attitude and power - everything that was missing on 90% of the album.

I am really disappointed with the end product that the girls are bowing out on because with Lemonade and Bye Baby setting the expectations, I really believed that this album would be one of their best. But, whether it was the issues within the group or the sudden split, this album is lacking in many areas and feels rushed and incomplete.
I hope that wasn't the case because that means that the girls' true potential was never reached and we will never get the Danity Kane comeback/goodbye album we, as fans, deserved.
Rating: 2/5 (only because 5 out of the ten songs are really strong otherwise it would have been a 1)

Album Review : Mila J E.P

Mila J has started to step out of her sister's, Jhene Aiko, shadow this year following the success of her single Smoke, Drink, Break-Up. She has proven that she can sing, dance and perform as well as look every inch the pop star, so does her E.P, Made In L.A, continue to showcase her potential as the next female R'n'B superstar.

1. My Main feat. Ty Dolla $ign

I am not that impressed with this track, which is also Mila's latest single, as it lacks any originality in the production. The theme of the song is cute - Mila is giving a shout out to her best friend - and makes a nice change from the overly discussed topics love, heartbreak, sex and partying.

But this doesn't set Mila apart from the hundreds of other young female singers trying to make a name for themselves in the industry.

2. Champion feat. B.o.B

This song is definitely an improvement from the first with a catchy hook, a sexy melody and solid production. Although it could be considered a bit vulgar, it is not much different from the male R'n'B singers, such as Chris Brown, Trey Songz and August Alsina, are doing in their music it just comes as a bit more of a surprise when being sung by a female. However, I feel a bit of empowerment in the sentiment of the song but that is just my interpretation.

3. Times Like These

Upon first listen, I was slightly bored as there is no change in the melody or pace of this song which makes it a bit bold. However, after watching the video (which breaks the song up between acted songs) the lyrics and vocals really shine through making it a stronger ballad than what it is on the E.P. All it needs is less production on the verses and then the beat can come in at the chorus to add a bit more structure to the song.

4. Pain In My Heart feat. Problem

By far my favourite song on the E.P. and, in my opinion, should have been the follow-up single instead of My Main. The vocals, particularly on the chorus, are really stunning and melodic which bring the song to life emotionally. The lyrics are touching, easy to relate to and vulnerable and the production is unlike any R'n'B ballad I have heard in the past five or so years. 

This is definitely the route Mila J is strongest in and she should embrace this side of her music a lot more when it comes to her debut album.

5. Smoke, Drink, Break-Up

The song we have all heard and love by now, and rightfully so, as this really shines amongst some of the lacklustre tracks on this E.P.

Vocally, Mila almost sounds like another person on this track and she plays with her raspy and more aggressive tones which works because it makes her voice distinctive. The beat and production is brilliant on this song and this is almost an A+ in terms of R'n'B music, all that is missing in the French Montana feature.

Overall, this E.P was a slight disappointment because it was Mila's opportunity to grab the attention of critics, fans and the media and get them on side, excited for her upcoming debut album.

However, aside from some great vocals and the stunning Pain In My Heart, Mila didn't really showcase her individuality or her strengths as an artist. She fell short on the first three tracks and didn't have enough time to bring herself back afloat. 

Hopefully, she learns from this E.P. and makes better choices in order to create a more distinctive album.

Rating: 2/5

Album Review | Tinashe : Aquarius

Tinashe is a star in the making with a hit single under her belt already and a second single dropping last month. She has proved she can sing and dance and she certainly looks every inch the superstar but does she have the great music to go with it.
Her debut album, Aquarius, is released this week and has created a big buzz around the web already with many calling it one of the best albums of the year. A massive statement for a singer who has only just reached her twenties and has yet to score a number 1.
So here is my opinion on the 18 track album, without including the interludes (although they are not completely irrelevant and annoying like other people's)...

1. Aquarius

The title-track and album opener so there is a lot riding on this song, and it doesn't disappoint. Tinashe delivers sultry vocals, a heavy bass and a sexy rhythm and lyrics making it the perfect r'n'b jam. She successfully establishes an individual sound for herself in a competitive and heavily saturated female market.

2. Bet feat. Dev Hynes

Tinashe continues with this eerie r'n'b slow jam sound that is very similar to Tinashe's mixtape songs. The production on the chorus is really strong and innovative and truly stands out amongst the often repetitive music being played on the radio today.
The outro to the song includes a guitar solo which adds a beautiful musicality to the album that separates Tinashe from her fellow female artists.

3. Cold Sweat

Another sultry vocal from Tinashe which hasn't gotten tired yet. Even though each song is very similar in production and content, it is executed so well that it doesn't really matter. It seems authentic and, as I said before, really establishes individuality for this new female artist.

Outro, once again, takes a different turn keeping the intrigue on this five minute long track.

4. 2 On feat. Schoolboy Q

The popular debut single is still a catchy club hit and fits in quite nicely at this point in the album as the pace changes from soft and subtle to more uptempo and heavy-hitting.
It is a great song destined for mainstream success and offers Tinashe a chance to showcase her fun, party side and bring some energy and dance routines to stage, performance-wise.

5. How Many Times feat. Future

Yet another song with sexual lyrics, it is fast becoming Tinashe's go to subject which is understandable since she is a very attractive young lady and her vocals sit perfectly between sultry and soulful so it feels comfortable. I am admittedly not a fan of Future's flow on his verse, it is far too aggressive and does not fit with the song at all. It almost became comedic to here him shout 'tun up, tun up' after the beautiful and soft vocals from Tinashe.

6. Pretend feat. A$AP Rocky

Unlike the last feature, A$AP makes a very welcome appearance on this track. This song is an album favourite of mine - I love the heartfelt and relatable lyrics, the trippy production and the stunning vocal from Tinashe.
I think I fell it love with it more after seeing the video last week and really understanding the lyrics a lot more.

7. All Hands on Deck

Another change of pace and a short break from the sensual slow jams with this 2 On part 2 style track. All Hands on Deck is a fun dance track but nothing too exciting and it gets quite old quickly. A very forgettable track when wedged between some real great pieces of work.

8. Far Side of the Moon

This really reminds me of Jhene Aiko, which I am sure is a comparison Tinashe will hear a lot of after this album is released. Vocally, she sounds really different on this song but still brilliant and the production is just stellar on this particular song.

I love the melody of the chorus, the metaphor in the lyrics and the overall product that has been created, this comes in a very close second as my favourite song on the album.

9. Feels Like Vegas

A solid mid-tempo track that you are likely to hear at a high-end strip club, which is a compliment and says a lot about the melody of the song. One of the few songs on the album that could be another hit single because of its mainstream vibe without losing the authenticity of Tinashe as an artist.

10. Thug Cry

A Mike.Will.Made.It production, and after the success he has had these past couple of years, expectations for this song are high. Unfortunately it fell short. I wouldn't say it's a terrible song but, with the bar so high on this album, it doesn't quite live up to what else has been delivered up until this point.
It has grown on me since my first listen but there is still something missing from it that doesn't make it quite as memorable or captivating as the rest of the album.

11. Bated Breath

I feel like this is the first ballad on the album because it shares a vulnerability and honesty that makes Tinashe even more likeable. There are some really powerful and promising vocal moments from Tinashe proving that she may be no Beyonce or Ariana Grande but she can certainly sing.

12. Wildfire

As the closing number on the album, I hoped Tinashe would opt to go out with a bang seeing as though the majority of her album is mid-tempo, mellow yet production heavy. A fun dance number would have been perfect but Tinashe, instead, chose Wildfire, a mediocre pop song with no conclusive or memorable moment. 

It is never clever to end your album so lacklustre especially when it has been ridiculously strong up until this point. Although it is worth mentioning the closing 30 seconds were a nice addition. 

Overall, the album is amazing by the standards of other debut female r'n'b vocalists and in comparison to most r'n'b music being put out today regardless of gender. Early Tinashe fans will be very pleased that this album stays true the artist that T established herself as on her mixtapes and doesn't cross over too much into the commercial, dance sound that she experimented with on 2 On.
I was pleasantly surprised with almost every song on Aquarius and this could be the start of a very successful career for Tinashe if she continues along this sensual and slick R'n'B path.

Rating: 4/5

Album Review | Chris Brown : X

After what feels like years of waiting and date push backs, Chris Brown has finally released his hotly anticipated sixth studio album, X. The album already has a string of hugely successful singles and a lot of buzz surrounding it and, with a track list of 21 and a ton of features, it looks set be a massive hit. Here is a little break-down of each track based on my opinion after a couple of listens.

X
The title track and possible future single which I already wrote a little review of a few weeks ago when it leaked. At first, I was skeptical of this strong dance sound that Chris was going for after a string of heavily r'n'b influenced tracks prior to this song. However, it has definitely grown on me and, although it may have been better suited for another artist, I like the message that Chris shares on this song as it stands very true to his life.

Add Me In
There is something instantly captivating about the production of this song which had me hooked from the start. It reminds me of old school Michael Jackson but still very modern, a sound that only Chris Brown could work. I can picture a music video and dance performances which makes me want this to be a single though I doubt it will.
This is a favourite of mine and had me really excited for the rest of the album.

Loyal feat. Lil Wayne and Tyga
A song that everyone already knows as it is probably Chris' biggest hit to date, and rightfully so, with it's catchy hook and beat. Unfortunately, I think this is the strongest, and my favourite, song on the album which doesn't bode too well when it has been released as the debut single months ago. This was the sound I was looking forward to hearing from Chris and the expectations were set high with this as the lead single.

New Flame feat. Usher
Another single and track that I have reviewed a little already but it has since grown on me too, not that I wasn't a fan after the first listen. A Chris and Usher collaboration was well overdue what with them being the biggest-selling and most popular R'n'B artists of this generation, and two of the best male performers in music.
This track is a really nice change for Chris with a lot more softness and vulnerability, lyrically and vocally, that reminds me of the With You era.

Song on 12 Play feat. Trey Songz
This song is exactly what you would expect from a Chris and Trey collaboration which was a bit disappointing. There's no surprises and it just sounds like any song you would find on a Trey Songz album

101 (Interlude)
This track annoyed me because it had the potential to be great if only it was a full song and not a 1 minute interlude.

Drown In It feat. R. Kelly
This was the biggest let down on the album and my least favourite song for two simple reasons. The first is that I am not an R.Kelly fan anymore - he is irrelevant, creepy, and quite frankly, needs to stick behind the scenes from now on. So his appearance on this song was not for my personal taste.
Secondly, the content in this song, lyrically, is just way too forthright and downright nasty. There is an art to making a good slow jam which Trey Songz has mastered, and that includes subtlety.
I am no prude but there is simply no interest or attraction to a song that explicitly discusses sex in a less than artistic or playful way.

Came To Do feat. Akon
Akon ?! Chris just seems to be throwing in features for the fun of it at this point. Akon is as irrelevant and unnecessary on this song as he is in the 2014 music industry.
As for the song itself, it is presented as a part two for Loyal with the exact same intro and a very similar song format but it certainly isn't as good. It feels like Chris got a bit lazy with this song and it is just another unnecessary and skippable album track.

Stereotype
The production on this song is probably at its best here; however, the song lacks in creativity lyrically and the hook can either be catchy annoying - for me it's the latter.
Stereotype hasn't definitely grown on me the most since my first listen though and this is the turning point of the album where the quality goes up quite dramatically for the most part.

Time for Love
A really nice, upbeat song that has a throwback feel like Add Me In and Fine China but with less of an MJ copy. It is certainly catchy and changes the pace of the album as the first track that ticks all the boxes in terms of lyrics, production and vocals.

Lady in a Glass Dress (Interlude)
Do not see the point in this interlude in all honesty. Unlike the other, it doesn't really grab my attention as a potential full length song, it just sits in the middle of the album unnecessarily.

Autumn Leaves feat. Kendrick Lamar
By far a firm album favourite of mine is this stunning song. It is one of the most meaningful and poignant songs Chris has produced in a while and it is greatly welcome at this point on the album. Kendrick, as usual, adds a haunting and show stealing verse making his feature on the album one of the few that actually brings something to the song.
It's also worth mentioning that this is the first song on the album where I noticed that Chris is still one of the strongest male vocalists in the game; a fact that often gets overlooked.

Do Better feat. Brandy
It took me a while to like this song because it didn't catch my attention on the first listen and then continued to feel bland upon a second and third play. However, I can always appreciate a bit of Brandy and always embrace the softer side of Chris Brown so it has started to grow on me.

See You Around
A different sound for Chris and I can't say I am a fan as this song falls completely flat and left me uninspired. It doesn't belong on the album, the lyrics are basic and it really brings down the latter half of the album which had been quite consistent up until this point.

Don't Be Gone Too Long feat. Ariana Grande
Sounds very similiar to something that Will.I.Am would record which made me look into whether he may have produced it. The hotly anticipated Ariana and Chris collaboration but where is Ariana?
Well if you compare this track to the one used in the recently dropped music video it becomes obvious that this is a different version.
Not sure why Chris chose to leave Ariana off the album as she brings great vocals to her version and, in my opinion, strengthens the track.
Aside from that, it is a decent song and undeniably catchy but plays very much into the commercial sound which can sometimes be a bit of miss for some fans.

Body Shots
My least favourite track on the album for a collection of reasons and the primary one is that this doesn't belong on the album at all. It feels so out of place and unlike Chris Brown, that I almost immediately had to the skip the track.
The production is cheap and dated and like almost every other dance track when it comes to the drop which, by the way, is what really destroys the song because up until 1:20 it had potential.

Drunk Texting feat. Jhene Aiko
A perfect collaboration for two of music brightest current stars and strongest vocalists. This song may not have the depth and beauty that Jhene brings on her debut album but it is still quite atmospheric and reminds me of those old school R'n'B male/female collaborations.
I almost don't mind that the entire song is about texting an ex when you're drunk because the vocals and melody and are on point.

Lost In Ya Love
Another album highlight and the song I feel should have closed out the album instead of Fine China because it rounds off the album perfectly. Chris showcases his vocals on the chorus, the content is sweet, the production is strong and, once again, this song has a throwback feel that is perfect to just jam to. You will definitely have this song stuck in your head once you have finished playing the album.

Love More feat. Nicki Minaj
One we have all heard before as a successful single and huge club hit for obvious reasons. For some reason, I get glimpses of Run It and other early Chris hits when I hear this song which is always a positive.
Nicki, of course, brings it on her short verse and makes this the perfect mainstream R'n'B/pop song.

Don't Think They Know feat. Aaliyah
I am pleasantly surprised that this song made it onto the album after all the backlash it received and the fact it didn't achieve as big a mainstream success as Chris probably hoped for. But, I was always a fan of this song and so I am happy to see it made the cut.
Aaliyah sounds hauntingly beautiful on the song and I love the meaning behind the song, once again showcasing a vulnerable side to Chris which often gets forgotten.

Fine China
Personally, I don't think this song should have closed out the album because it was released months ago and it is such a strong track that it should have followed Loyal.
I prefer for album closers to be a little more understated and conclusive whereas, Fine China is so full of energy that it leaves me wanting more. Having said that, this song brought be back to 2008 Chris with his youth, innocence and obvious MJ-inspired sounds.

All in all, I applaud the hard-work that goes into a 21 track album that was able to produce at least four smash hit singles, but I can't deny that I was a little disappointed with the final product. I probably set my expectations way too high after being a massive fan of Love More, Fine China and Loyal so I had a preconceived idea of what I was going to hear.
Unfortunately, when you have a 21 song long track list, it is unlikely that every song is going to be great or consistent and that was the case with X. There are a lot of brilliant moments on this album such as Autumn Leaves, Lost in Ya Love and Time For Love but they get lost amongst some of the irrelevant fluff like Body Shots and See You Around. 
I believe this could have been an almost perfect album if Chris had opted for quality over quantity and cut out five or six of the songs that fell flat for me.
This album is still worth a listen and even buying as long as you are willing to traipse through some below average songs to find the excellent ones.
Rating : 3/5

Album Review | Jhene Aiko : Souled Out

Jhene Aiko has been buzzing for well over a year now thanks to her many collaborations with Drake and amazing EP's. Now she finally has a full studio album and as a debut piece of work, it is really impressive.

If you are familiar with Jhene's work then you know what to expect from this album - minimalism, honesty and angelic vocals. But there is so much more to her album than you could have anticipated. There is a real journey and real emotions presented in each song which, you can tell, has been hand-picked and carefully executed by Jhene to create a solid and fluid debut album.

The album opens with Limbo, Limbo, Limbo confirming that this album will fulfil all expectations and deliver everything that makes Jhene so special in an era of often shallow and repetitive music.
There are many songs that remind me of Jhene's EP's and earlier music such as the soulful Spotless Mind and Lyin' King but there are also moments of growth like the laid-back Wading. Not to mention the lyrical content that Jhene drops on songs such as To Love and Die which has already made the rounds on blogs for the past couple of weeks. It is definitely one of my favourites on the album with its heavy bass and poetic lyrics, it really captures the essence of Jhene at her best.

As for the second half of the album, it only seems to get better and continue to deliver a feeling of relaxation, calm and heartfelt emotion. The Pressure, which now has a music video to accompany it, is a really soothing and soulful moment leading perfectly into Brave - another highlight for me.
Jhene opts to close out the record with a freestyle called Pretty Bird which has some interesting musical elements that make it noticeably different from the rest of the album and also includes a notable appearance from Common.

But the undoubted stand-out track for me is Promises which is a truly moving song that features Jhene's five year old daughter. Jhene spoke on the song recently and explained that it is a song for both her daughter and her brother who passed away two years ago. The song is so honest and filled with depth and emotion that it is hard to listen to without feeling some kind of way but the melody and production make it more uplifting and inspirational rather than depressing.

Jhene has courageously opted for only two collaborations and very little promotion in preparation for this album but the music speaks for itself. I am so happy for Jhene after being a fan for so long and waiting almost two years for this album, and luckily she hasn't let me down.
Rating - 4.5/5

Album Review : Ariana Grande

Ariana is at the top of her game this year and she is looking to round it off with the release of her second album, My Everything. Her debut release Yours Truly hit No.1 in America last year but didn't really have much of an impact overseas and the only successful single from the album was The Way. 
But after dominating the charts worldwide with three massive songs already, Ariana will surely be leaving her mark with this album.

I have put together a little track-by-track review to give you a feel for what to expect when the album drops next week.

1. Intro
Not much to say about this opener as it isn't really a full track at less than 2 minutes long. This is simply just a little message to her fans which is cute, but not necessarily fitting on a twelve track album. 

2. Problem ft. Iggy Azalea
Everyone knows this track by now as the first single off the album and Ariana's most successful release to date. The song is fun, catchy and full of attitude that showcases Ariana's transition into a more confident and established artist. Iggy makes a nice addition to the album as the only female feature, not including the deluxe edition songs, and a fellow superstar of 2014.

3. One Last Time
In all honesty I could do without this song. It is instantly forgettable and I don't think the pop genre is where Ariana belongs as she is such a powerful vocalist.
I appreciate the sentiment behind the song and it had potential to be great with a different production and a more uptempo rhythm.

4. Why Try
It doesn't take long to realise that this is a song written by Ryan Tedder because it has a similar feel to Beyonce's XO, and most other Tedder songs, but a little less anthemic.
Ariana's vocals are at their best on this song and the lyrics, although subtle, are obviously moving if they're written by this writing genius. I can see this becoming the soundtrack to many break ups.

5. Break Free ft. Zedd
Another single from the album that hasn't had a huge amount of success but showcased another side to Ariana. Usually known for her vocal ballads and R'n'B jams, this song took a new turn and Ariana entered into the world of dance-inspired EDM music. Surprisingly, it works well for her on this song and acts as I nice break on this ballad filled and prominently R'n'B album. I can see it being a bigger hit with a little more promotion.

6. Best Mistake ft. Big Sean
I really love this song, in fact it might be my favourite on the album and just so happens to be Ariana's. This is a stunning ballad with some heartfelt vocals and brilliant lyrics from Big Sean making it the perfect love song. This is a real throwback to Ariana's debut album which very much sounded like this song throughout - R'n'B with a strong rap feature - but this a level of growth and maturity that shines on this song.

7. Be My Baby ft. Cashmere Cat
This song really reminds me of something from the late 90's/early 00's in terms of R'n'B music, and that is never a bad thing. It has a familiar sound to many of her previous songs such as Right Here and The Way with its sweet lyrics.
The hook is ridiculously catchy and the verses have a solid rhythm so I can see why this is Ariana's choice for the next single.

8. Break Your Heart Right Back ft. Childish Gambino
A song that already has people talking because of the story behind it - a guy who leaves his girl for another guy, an experience that Ariana says she has probably been through. There is a sense of humour in the song, which samples I'm Coming Out on the chorus, and a fun, albeit brief, appearance from Gambino which is always welcome.

9. Love Me Harder ft. The Weeknd
A slightly suggestive song with some riqsue lyrics and the recognisable tones of The Weeknd are exposed in a different light than his usual dark and haunting music.
This is a bit of a departure for Ariana but I think I like it.

10. Just A Little Bit of Your Heart
Ariana is at her best with a powerful ballad such as this, and with lyrics penned by Harry Styles, this is sure to be a fan favourite.
The simplicity of just a piano and some strings enables you to hear the pain and vulnerability in Ariana's voice for the first time on this album, which is something I really enjoyed on Yours Truly. 

11. Hands On Me ft. A$AP Ferg
If only there were more songs on the album that sounded like this because it makes a nice change from the ballads and bring some fun to the album. It almost sounds out of place at this point on the album but I am glad that it is there because it is a great uptempo song that would do well in the current market of 'twerk' songs.
Even on a song such as this, Ariana still manages to have a stunning vocal moment and shows that this is the type of music she should be making more of.

12. My Everything
Another ballad which, if the album were a few tracks longer, would feel tired and overdone at this point. But as the closing song on the album, it is the perfect choice and note to end on even though it is slowly anti-climatic.
I hate to say it but this really reminds me of early Mariah Carey and though I can tell Ariana is trying to break away from that label on this album, it is rare moments like this that make her special as an artist.

13. Bang Bang with Jessie J and Nicki Minaj (Deluxe Edition)
Another single but it only makes an appearance on the deluxe edition because it is a collaboration with two other successful female artists, Jessie J and Nicki Minaj.
I love the attitude and fun that this song evokes and you really can't help but sing along after the first few listens. Female collaborations like this need to happens more often, and it helps that Ariana and Jessie are equally equipped in the vocal department and Nicki is one of the best rappers of our time.

14. Only 1 (Deluxe Edition)
I can't quite decide why but I love this song, probably because it sounds like nothing else on the album and the production is uplifting and inspiring. I'm not sure that it belongs on the deluxe edition because it would fit quite well in the first half of the album as a break between the sometimes overwhelming number of ballads on the album.

15. You Don't Know Me (Deluxe Edition)
This would have been perfect on Ariana's last album which is why I think it has been put on the deluxe edition only. It is a great song but doesn't feel right amongst the other songs with catchy hooks, mature content and strong production. There is a slightly childishness and simplicity in the lyrics that would have been out of place.

Overall, I am a little disappointed at the length of this album especially as the intro can't really count as a full track, and I would have liked to hear some more up-tempo numbers because Ariana excels at those just as much as the ballads.

However, Ariana does establishe a solid sound on the album and maintains her R'n'B with rap features style from her debut while still successfully experimenting with EDM-inspired and slightly more pop songs too. There are moments that left me a bit uninspired but listening to the album in its entirety was a real joy and took me through so many different emotions and stories without losing the powerful vocals and spunky personality that Ariana is so popular for. Her growth in maturity over the last twelve months is undoubted as she doesn't shy away from risque lyrics and controversial content yet she doesn't isolate those loyal fans who have stuck by her since Nickelodeon.

There is no doubt that My Everything will be a huge hit and my only worry is how will Ariana follow up such a solid piece of work.
Rating : 4/5

Album Review | Neon Jungle 'Welcome To The Jungle'

I have been supporting these four girl ever since I met them last summer while interning at Sony Music and, over the past 12 months, have watched them conquer the Top 40 UK, sign a modelling deal and perform in America.
Finally, Neon Jungle have dropped their debut album (released Monday 28th July), Welcome To The Jungle, and I have one of the first track-by-track reviews.

1. Braveheart

Probably the most popular and successful song on the album as their second single to date, and rightfully so, as this is a really catchy and fun club song. You can't help but get up and dance when the beat drops. They cross over from pop to dance and electro in this track, and made a good choice making this their album opener.

2. Welcome To The Jungle

The title track and another well-known single that will have you on your feet all over again. This is an ideal song for festivals with another steady build up and a strong electro beat drop every chorus.

3. Trouble

Neon Jungle's debut single and a forgotten treasure that brings me back to the summer of 2013 when these fresh-faced teens were just starting to make a name for themselves. This song is full of attitude and personality, just like the girls, and suggests that they are not your typical child-friendly girl group.

4. Louder

Their most recent single, Louder, showcased another side to the quartet as a vocal group with power and depth. Although this is a ballad, the girls seem to have the ability to get you singing along and you'll be belting along to this in your car in no time.

5. Can't Stop The Love (feat. Snob Scrilla)

This song, thematically, is really positive and makes a nice change from the often predictable and unoriginal lyrics pop groups usually churn out. Although the production is lacking, the song is still enjoyable and really highlights the girls powerhouse vocals, especially Shereen's moment towards the end. 

I honestly feel that this should have been a single instead of Louder because it sets them apart from competitors like The Saturdays and Little Mix and the message conveyed in the song is truly needed right now.

6. Bad Man

Definitely my favourite track on the album. Yes, the lyrics aren't exactly poetry and the song sounds familiar, but it is such a fun track and irresistibly addictive. However, it does need to be a little longer and the abrupt ending was almost anti-climatic.

7. Sleepless In London

Funny how my favourite track is followed by my least favourite which brings down my overall enjoyment of the first half of the album. Sleepless In London is pointless and instantly forgettable; the album could really do without this song which is a shame because the opening vocals are stunning.

8. Waiting Game

I am a bit disappointed that on a ten track album that has been in the workings for over a year, they opted to include a cover. However, I do love this Banks song and the girls' vocals on it are perfection. They capture the vulnerability and emotion in every lyric, proving that they are more than just a pop girl group and leaving a lasting, haunting impression. Asami, for me, really stands out on this song as the verses are perfect for her vocal style and range. 

But it still should have just been a hidden track or a bonus.

9. So Alive

Another highlight of the album and one of the few songs with strong production to match the quality of the vocals. It opens a lot stronger than it ends but I still really enjoyed it and the chorus is a real moment on the album.

10. Fool Me

Fool Me is a pretty ballad with the most beautiful vocals from Asami, Jess, Shereen and Amira, giving them all a chance to shine individually. Unlike most of the other songs on the album, the lyrics are quite moving and powerful and the message is relatable.

 It is a great album closer but leaves you wanting more, as every song feels like it is less than three minutes long which isn't really standard in 2014.

and for those of you who want the deluxe edition...

11. Future X Girl
Sounds like a song written for The Saturdays and that isn't necessarily a bad thing because they make catchy pop music. But, if Neon Jungle want to establish themselves as a different type of girl group, they should really avoid songs like this. Having said that, this is a decent song and suited as a bonus.

12. London Rain
A second song about London but luckily this one is far better and should honestly switch places with Sleepless In London. It would have made a perfect closing song for the album as a melodic ballad with a depth to the lyrics and lovely vocals.

Best songs: Bad Man, Braveheart, Can't Stop The Love

Rating: 2.5/5 - It is a strong debut for a girl group. Each song presents a different style, every girl has strong vocals and there are some excellent dance numbers in there. Even though I did enjoy every song bar two, the album is far too short. Ten songs is never enough time to establish a real connection with an album or even to fully explore the individual characters of each group member, especially when the first four songs have already been released as singles. Also, the production let's the whole thing down because it highlights the fact that this is a new and manufactured girl group who don't have access to all the top producers of today.

Neon Jungle do show a lot of promise and there is potential for this album to do well given the successes of their releases so far. I am sure the girls will have another chance to wow us all with their second album.

Album Review : Iggy Unveils The New Classic

Iggy Azalea's long-awaited debut album finally hits stores in the UK today and the rest of the world tomorrow after being delayed for months. With four hit singles under her belt, Iggy has set some high expectations for this release, made even higher by the optimistic title, The New Classic.
Does the Australian beauty deliver on either of her promises of new and classic ?
The critics who have already weighed in don't seem that convinced, so I had a couple of listens and this was my conclusion. (I usually try to listen to an album a few times over the course of a week before giving a review but I didn't have the time for this one)

The album opens with a promising number, Walk The Line, which details a lot of the same subjects she addressed on hit single Work but only with a stronger hip-hop edge. It's a good start and a decent rap song that offers us something very different from what we have heard from Iggy thus far.
But the album then starts to feel a bit lacklustre with tired songs like 100 and Change Your Life which don't bring anything 'new' to the table. I couldn't find anything classic either.
Her 'of-the-moment' twerk songs like Work, Bounce and Fuck Love are perfect for the club and for mainstream success and if Iggy wants to be known as a fun, pop artist then this album, with songs like Black Widow and chart success Fancy, is the way to go.

However, Iggy does offer an occasional glimpse of what she is capable of as a rapper with songs like Don't Need Y'all and Impossible is Nothing. But these moments are few and far between and don't quite come up to par with what other female rappers are delivering at the moment.
Iggy seems more suited and more comfortable in her role as club queen since the best songs on the album are those with thumping beats, heavy basslines and less lyricism. She delivers exciting moments on songs Goddess and Lady Patra, which features dancehall star Mavado, with their island feel and catchy hooks.
But, she never quite fulfils her potential on well produced songs like New Bitch which end up feeling like recycled songs from 2010.

All in all, for a first attempt Iggy hasn't disappointed when it comes to producing songs which make you dance and get in the mood for a night out with your girls. Unfortunately, this album won't help Iggy get taken more seriously as a female rapper in the hip-hop community. What it will do is solidify her place in the mainstream market and gear her music towards pop in future.

3 stars

Best songs : Work, Lady Patra and Goddess

Beyonce Album Review

The best kept secret in 2013 goes to Beyonce and her team for managing to keep tight lipped about what would have been the most anticipated album of the year. Last week, Beyonce graced us with her self-titled fifth studio album after a two year wait since her last.

This album is the first of its kind being that every song has a video to accompany it, making it a 'visual album' - in Beyonce's words. It is also the sexiest and most experimental album that Beyonce has ever created and though it may not be 100% radio friendly, it is definitely deserving of a lot of success.

Pretty Hurts

A very powerful song. The clear message of the song is that trying to conform to societies standards of beauty is really difficult and a lot of pressure for women when it is really what's on the inside that counts. It is a message we have heard countless times before by many female artists but the delivery is so strong and fresh that it feels brand new.

The video is perfectly fitting, with Beyonce playing a beauty pageant contestant who undergoes plastic surgery, a strict exercise regime, pops diet pills and suffers from bulimia all in the hopes of winning the crown. 

Haunted

Beyonce goes all experimental on this track with it living up to its title of being haunting. Some may say it seems to be a homage to Madonna and Justify My Love which becomes clearer once you watch the video. 

Beyonce roams the corridor of a grand and spooky hotel (looking fierce in her suit) and peers into the other guests rooms where she finds a lot of strange scenes. Visually this was stunning to watch and really brings the song to life.

Drunk In Love feat Jay-Z

What is a Beyonce album without a little Jay-Z feature. Although this is not one of Jay-Z's best verses, it doesn't matter when the rest of the song is outstanding. In fact, this might just be my favourite track.

The bass and production is perfect for a club mix, the hook is hella catchy and this is the first taste of the sexy lyrics we can expect to hear throughout the album.

The video is brilliant also. Nothing too extraordinary, just the King and Queen of hip-hop dancing and embracing on a luxurious beach but coupled with the song it really is nothing short of a masterpiece.

Blow

Another favourite of mine - Beyonce goes all out naughty with lyrics like 'keep me humming, keep me moaning' in this 80's disco throwback track. It's obvious that Pharrell produced this track and when the beat drops just under 3 minutes and Bey asks you to 'turn that cherry out' the song moves to another level of fierceness.

The accompanying video is equally fun with Beyonce attending a roller disco with her sister and dancing around the rink in neon lights and skimpy hot pants.

If this wasn't so x-rated lyrically it would need to be a single.

No Angel

Beyonce sounds truly angelic - no pun intended - on this song in particular. It doesn't necessarily stand out within the album but the lyrics and repetition of 'you're no angel either' is really heartfelt and a softer moment in the epic Bey album.
The video is lovely too. Beyonce takes a moment to acknowledge her home city, Houston, with shots of cars, people and places in that area as well the Queen herself looking all types of fierce.

Partition

A Sasha-fierce moment if ever I heard one...although now she seems to have been renamed Yonce.
Bey goes above and beyond on this track when delivering the provocative message of, well, sex in the back of a limo. This sees a far more risque side of Beyonce being explored yet she manages to do what many female artists have failed this year and keep it classy !
The video features Jay as he watches his girl get down and dirty like only she can and we are not made about it.

Jealous

A more forgettable song amongst an album of outstanding gems but it is still an above average song and a well above average vocal.
The video may lack in a clear story until the end where Beyonce runs into the arms of her lover, I assume, for an emotional reconciliation. But it is still watchable and very well directed - and the reference to Freakum Dress is genius.

Rocket
Another very sexual exploration of relationships and femininity from Beyonce as she playfully invites us to explore her body in the almost explicit video.
Although this doesn't win prizes for being a catchy, interesting or powerful song it will certainly become a member of the bedroom playlist for many.

Mine feat Drake
Thanks to his tribute to Bey with James Fauntleroy earlier this year, Drake got a call to be featured on this amazing album on one of the best songs.
His influence on the track is noticeable, with comparisons being drawn to Take Care but its transgression between ballad and mid-tempo and the personal lyrics shared by Beyonce make it slightly more interesting and unexpected than a Drake song could ever be.
The video is more artsy than any of the previous visuals as Bey throws around imagery, symbolism and metaphors to explore the theme of the song which seems to be the near break-down of a relationship. 

XO

This is the most radio friendly song on the album and has many elements that make it sound familiar like the
gospel style chorus and the uplifting sentiment.
It's a harmless and cheerful song which can't help but a bring a smile to your face as Beyonce celebrates the innocent joys of love.

It is also my favourite video from the collection because it feels so effortless. Yes, I love the creativity and hard-work that goes into all of her videos but watching Beyonce and her friends spend the day at the funfair and just have fun without the extravaganza of costumes or dance numbers makes a refreshing change.

***Flawless feat. Chimamanda Ngozi Adiche
The opening sequence is nothing new to us. Beyonce released it as a preview titled Bow Down which had a lot of feminists critiquing the apparent superiority message conveyed in the aggressive lyrics. However, now with the addition of the second half of the song and the beautiful  feature from Nigerian poet Chimamanda, the song takes on a whole new meaning. It not only stands as a female empowerment piece but also, seemingly, a tongue in cheek attack on beauty as Bey repeats sarcastically 'I woke up like this'.
As for the video, Beyonce keeps it simple with a black and white underground setting and a little dance number but it's the strong attitude Bey exerts which makes the

Superpower feat. Frank Ocean

Yay! Frank Ocean is back and he is alongside the Queen Bey on this brilliantly powerful track. It may described as a slow-burner and a bit of a grower because on first listen it didn't make much of an impact on me; however, the amazing vocals from both artists and the subtle production make it quite a beautiful song.
It's unfortunate that Frank doesn't appear in the video but that is all forgiven because we do get to see Kelly, Michelle and Pharrell...and Beyonce with green hair.

Heaven
A very emotional number that will no doubt be played at many funerals and for many moving TV sequences. It is possibly one of Beyonce's biggest ballads as she mourns the loss of a friend and whether this is based on a real experience or not, the pain really shows in the vocals.
The video is just as you'd expect, Beyonce remembering happier moments with her close friend as she attends her funeral. It is a sincere moment of vulnerability which offers a nice break from the sultry and sexual side of Bey being revealed on much of the album.

Blue feat. Blue Ivy
As a closing song, this is perfection especially when Blue adds her own vocals and laughter at the end. It is a lovely tribute from mother to daughter and the simplicity of both the song and video bring the album to a fitting conclusion.
It's also nice to see that Beyonce looks happiest and the most stunning when she is just relaxing on the beach with her daughter.

If Beyonce is hoping that this project will show her fans and music critics that songs are great to listen to but are made even stronger and more effective when you can visually see the message and story of the song, then she has been successful. This will act as a game changer for the music industry and it will be interesting to see how record labels and other artists react now that it has been proven albums can be prevented from leaking early if you do it right.

*****